Author: John Olive

Camelot at the Ordway

Camelot (at the Ordway, through May 17) harkens back to a simpler age, when a sturdy chap like Lancelot could be an arrogant, egotistical, sword-twirling, overweening and preening [your carefully chosen word here], and still get the girl. Nowadays a…

The Reagan Years, The Workhaus Collective performing at The Playwrights Center

Do you, like me, remember the 1980s as a heady combination of amnestic hedonism and unapologetic avarice and acquisitiveness? If so, I bet you’ll enjoy Dominic Orlando‘s zippily paced The Reagan Years, a celebration (if that’s an appropriate word) of…

Death Tax at Pillsbury House Theatre

Death Tax, by Lucas please-buy-a-vowel Hnath (Pillsbury House Theatre, through April 4) is an entertaining play about a super-serious subject: death. Do subjects get seriouser? Bed-ridden nursing home resident Maxine has acquired an unholy obsession, that her daughter is attempting…

Huck Finn at the Childrens Theatre Company

CTC presents us with a seriously Bowdlerized version of Mark Twain‘s difficult masterwork, The Adventures Of Huckleberry Finn (Childrens Theatre Co., through April 4). Calling their version Huck Finn, versatile director/adapter Greg Banks (he did CTC’s marvelous Pinnocchio a few season’s back)…

A Midsummer Night’s Dream at the Guthrie Theatre

The Guthrie‘s production of William Shakespeare‘s delightful A Midsummer Night’s Dream clocks in at a bladder busting three plus hours. Loud and long, massive and ambitious, this show entertains – does it ever – but doesn’t pull you in. One…