You probably know Dial M for Murder better as a film by Alfred Hitchcock. Gremlin Theatre’s season opener reminds us it came first as a stage play (of the same title). And on Gremlin’s new thrust stage in the buzzing…
Category: Reviews
Review | Night, Mother: essential, actor-driven theater
Rarely does the need arise to talk someone off a cliff. In popular art, when this situation is dramatized, exceptional people often find the perfect words to provide hope.  Marsha Norman‘s stunning play Night, Mother rejects this contrivance and shows…
Review | The Legend of Georgia McBride: a joyous, charming celebration
Since taking the helm, Guthrie artistic director Joseph Haj has pushed the venerable theater into greater diversity, both in tone and in representation. With The Legend of Georgia McBride, the theater ventures into new territory on both fronts with a…
Review | Legally Blonde: zippy and zesty, if a touch contrived
Snappy. Snazzy. Fizzy and frothy. Abrim with pizzazz and pure musical intensity. Real good. All these adjectives (and then some) apply to Artistry Theater‘s amazing production of Legally Blonde (in Artistry’s comfortable Schneiderman Theatre, through August 19). The plot of…
Review | Hand To God: brilliant puppetry
By far the most interesting character in Robert Askins‘s hootful Hand To God (the Jungle Theater, though Aug 19) is a puppet, Tyrone. Seriously. Tyrone goes from a meek rendition of “Jesus Loves Me” to laugh-out-loud potty-mouth, to owning a…
Review | West Side Story: a lovely production of a true American classic
West Side Story (at the Guthrie, through Aug 26) was first produced on Broadway in 1957 and since then it has emphatically entered the international canon, averaging 5,000 productions per year. No other play has this kind of presence. Shakespeare?…
Review | Equivocation: Jacobean swells having fun
Since 2004, Walking Shadow Theatre Company has been the area’s premier provider of historical drama: Hatchet Lady, Carrie Nation, Angel Of Destruction (19th century U.S.); Marie Antoinette (18th century France); Gross Indecency, The Three Trials Of Oscar Wilde (19th century…
Review | Underneath The Lintel: a hoot
Underneath The Lintel (Theater Latte Da, at the Ritz Theatre) is, to say the least, an unexciting title, but Glen Berger‘s rollicking and rip-roaring play is the bomb. In it, a “librarian” (she has no other name) finds a book returned…
Review | dat Black Mermaid Man Lady/The Show: promising
Editor’s Note: due to an injury to a cast member, Pillsbury House Theater decided to mount a “reader’s theater” version of the play. I.e., script-in-hand. This is the version being reviewed by Mari Wittenbreer, below. HWTS will use its best…
Review | Taking Shakespeare: an overly slight take on the Bard
For those with mentors willing to invest in them, it can prove invaluable and leave a lifelong impact. In the best of these relationships, inevitably both mentor and mentee are left as stronger, better people. John Murrell‘s Taking Shakespeare, at…