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Uncategorized

Some Important Tips For Job Management

by Mari Wittenbreer • September 2, 2018

It can be believed that for a organization to receive success, an excellent job operations is the keystone to program and program the activities. In many of the businesses, task control is the main regulator to uncover and recognize the…

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Uncategorized

Some Important Details For Job Management

by Mari Wittenbreer • September 2, 2018

It really is believed that for a business to acquire accomplishment, a superb task operations is the keystone to package and plan the activities. In most of the businesses, project supervision is the main limiter to learn and distinguish the…

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Reviews, Theater

Review | Night, Mother: essential, actor-driven theater

by David and Chelsea Berglund • August 23, 2018

Rarely does the need arise to talk someone off a cliff. In popular art, when this situation is dramatized, exceptional people often find the perfect words to provide hope.  Marsha Norman‘s stunning play Night, Mother rejects this contrivance and shows…

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Reviews, Theater

Review | The Legend of Georgia McBride: a joyous, charming celebration

by David and Chelsea Berglund • July 30, 2018

Since taking the helm, Guthrie artistic director Joseph Haj has pushed the venerable theater into greater diversity, both in tone and in representation. With The Legend of Georgia McBride, the theater ventures into new territory on both fronts with a…

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Reviews, Theater

Review | Legally Blonde: zippy and zesty, if a touch contrived

by John Olive • July 21, 2018

Snappy. Snazzy. Fizzy and frothy. Abrim with pizzazz and pure musical intensity. Real good. All these adjectives (and then some) apply to Artistry Theater‘s amazing production of Legally Blonde (in Artistry’s comfortable Schneiderman Theatre, through August 19). The plot of…

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Reviews, Theater

Review | Hand To God: brilliant puppetry

by John Olive • July 20, 2018

By far the most interesting character in Robert Askins‘s hootful Hand To God (the Jungle Theater, though Aug 19) is a puppet, Tyrone. Seriously. Tyrone goes from a meek rendition of “Jesus Loves Me” to laugh-out-loud potty-mouth, to owning a…

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Review | Carmen : steamy summer entertainment

by Mari Wittenbreer • July 18, 2018

The summer opera staged each year in the Mill City Museum courtyard by Mill City Summer Opera company has become one of the premier outdoor events in the Twin Cities often playing to sold out audiences. On preview night, the…

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Reviews, Theater

Review | West Side Story: a lovely production of a true American classic

by John Olive • June 26, 2018

West Side Story (at the Guthrie, through Aug 26) was first produced on Broadway in 1957 and since then it has emphatically entered the international canon, averaging 5,000 productions per year. No other play has this kind of presence. Shakespeare?…

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Interviews

Interview With Janet Preus: author of Welcome To Hell

by John Olive • June 19, 2018

Editor’s Note: Janet Preus’s wonderful Welcome To Hell recently closed at Open Eye Figure Theater. Because it had a very short run (a single weekend) and because Preus is a longtime reviewer at www.HowWasTheShow.com, we chose not to fully review…

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Review | Equivocation: Jacobean swells having fun

by John Olive • June 9, 2018

Since 2004, Walking Shadow Theatre Company has been the area’s premier provider of historical drama: Hatchet Lady, Carrie Nation, Angel Of Destruction (19th century U.S.); Marie Antoinette (18th century France); Gross Indecency, The Three Trials Of Oscar Wilde (19th century…

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Review | Underneath The Lintel: a hoot

by John Olive • June 4, 2018

Underneath The Lintel (Theater Latte Da, at the Ritz Theatre) is, to say the least, an unexciting title, but Glen Berger‘s rollicking and rip-roaring play is the bomb. In it, a “librarian” (she has no other name) finds a book returned…

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Reviews, Theater

Review | dat Black Mermaid Man Lady/The Show: promising

by Mari Wittenbreer • June 2, 2018

Editor’s Note: due to an injury to a cast member, Pillsbury House Theater decided to mount a “reader’s theater” version of the play. I.e., script-in-hand. This is the version being reviewed by Mari Wittenbreer, below. HWTS will use its best…

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