There are plays that are so good that audiences enjoy them even if the production isn’t first class—Midsummer Night’s Dream for example. Then there are plays that are unwieldly gems, difficult to take in unless the production is of first-class…
There are plays that are so good that audiences enjoy them even if the production isn’t first class—Midsummer Night’s Dream for example. Then there are plays that are unwieldly gems, difficult to take in unless the production is of first-class…