Playwright Martin McDonagh has a rep as a hard-drinking Irishman, an angry and dyspeptic glorifier of domineering mothers, gravediggers, cripples (okay, let’s say differently abled wheelchair-bound schemers) and, in the case of A Behanding In Spokane (now playing at the Gremlin Theatre, through Dec 16) deranged searchers-for-severed-hands. But this is unfounded. Hard-drinking? Okay, maybe. ...
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