“She’s so beautiful. She’s like French words.” “Life shouldn’t be printed on one dollar bills.” “I got a yen for her, and that ain’t Chinese coins.” Can a play containing gems like this ever really be bad? Not really, and…
Author: John Olive
Once: heartfelt and streetwise
Theater Latté Da, through Oct 21You know what busking is, don’t you? When a talented (one hopes) musician plays for free on the street, opening his guitar case (or fiddle case, or mandolin case, as the case may be) in hopes of catching a few…
Review | Legally Blonde: zippy and zesty, if a touch contrived
Artistry Theater, through Aug 19Snappy. Snazzy. Fizzy and frothy. Abrim with pizzazz and pure musical intensity. Real good. All these adjectives (and then some) apply to Artistry Theater‘s amazing production of Legally Blonde (in Artistry’s comfortable Schneiderman Theatre, through August 19). The plot of…
Review | Hand To God: brilliant puppetry
The Jungle Theater, through Aug 19By far the most interesting character in Robert Askins‘s hootful Hand To God (the Jungle Theater, though Aug 19) is a puppet, Tyrone. Seriously. Tyrone goes from a meek rendition of “Jesus Loves Me” to laugh-out-loud potty-mouth, to owning a…
Review | West Side Story: a lovely production of a true American classic
At the GuthrieTheater, through August 26West Side Story (at the Guthrie, through Aug 26) was first produced on Broadway in 1957 and since then it has emphatically entered the international canon, averaging 5,000 productions per year. No other play has this kind of presence. Shakespeare?…
Interview With Janet Preus: author of Welcome To Hell
Editor’s Note: Janet Preus’s wonderful Welcome To Hell recently closed at Open Eye Figure Theater. Because it had a very short run (a single weekend) and because Preus is a longtime reviewer at www.HowWasTheShow.com, we chose not to fully review…
Review | Equivocation: Jacobean swells having fun
Walking Shadow Theatre Company, performing at the Gremlin, 550 Vandalia, St. PaulSince 2004, Walking Shadow Theatre Company has been the area’s premier provider of historical drama: Hatchet Lady, Carrie Nation, Angel Of Destruction (19th century U.S.); Marie Antoinette (18th century France); Gross Indecency, The Three Trials Of Oscar Wilde (19th century…
Review | Underneath The Lintel: a hoot
Theater Latté Da, through July 1Underneath The Lintel (Theater Latte Da, at the Ritz Theatre) is, to say the least, an unexciting title, but Glen Berger‘s rollicking and rip-roaring play is the bomb. In it, a “librarian” (she has no other name) finds a book returned…
Review | Guess Who’s Coming To Dinner
Guthrie Theater, through May 27Sit in the corner and try not to belch. It’s repulsive. Behave yourself. Cynical Critic: Yes, sir. Go ahead. And don’t shout. CC: Ahem. There’s only one reason the Guthrie did Todd Kreidler (working with William Rose‘s screenplay)’s Guess Who’s…
Review | Follies: rough-hewn charm
Artistry Theater, through May 6Like the recent The Music Man, Follies (Artistry Theater, through May 6) exudes sturdy but rough-around-the edges sweetness and charm. Director Benjamin McGovern has done a crackerjack job casting Follies, (music and lyrics by the great Stephen Sondheim, book by…