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Reviews, Theater

Pike St.: Nilaja Sun delivers an exquisite performance

by John Olive • May 31, 2017

Pike St. (Pillsbury House Theatre) is a one woman show, written and performed by über-talented New Yorker Nilaja Sun. Pike St. evinces many of the problems inherent in one person performances. It lacks muscle (true drama requires, imho, the interaction of two…

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Reviews, Theater

Refugia: Serrand & Co. do gorgeous work

by Mari Wittenbreer • May 21, 2017

Lately there’s been a multitude of shows in Twin Cities theatres about refugees and immigrants. They’ve run the course from last year’s pandering production of Flower Drum Song at Park Square to the spare but beautiful production of Promise Land…

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Reviews, Theater

Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery: garbled fun

by John Olive • May 13, 2017

Eric Sharp totally carries Lloyd Suh‘s gloriously messy Charles Francis Chan Jr.’s Exotic Oriental Murder Mystery (whew). His stern comic timing is balanced by passion and perfect anger/love (see the play; you’ll understand what I mean). Sharp’s sharp energy makes…

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Intimate Apparel: a revealing, deeply rewarding experience

by David and Chelsea Berglund • May 13, 2017

For a show that ruminates on the complexities of loneliness, Ten Thousand Things Theater’s Intimate Apparel (running at various locations throughout the metro through June 4th) brims with warmth. It celebrates humanity through honest, sometimes ugly insights rather than simplistic or…

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Red Velvet: rich and passionate

by Mari Wittenbreer • May 13, 2017

In the first scene of Red Velvet (Walking Shadow Theatre Co., performing at the Southern Theatre, through May 28), actor JuCoby Johnson as Ira Aldridge says there is “Something about velvet – a deep promise of what’s to come, the sweat…

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Wit: a compelling exploration of the mystery of death

by John Olive • May 6, 2017

Professor Vivian Bearing has Stage Four – “There’s no Stage Five” – ovarian cancer. A tumor “the size of a grapefruit” has spread to her pelvic bones, to the surrounding organs and the pain, and the pressure of it, combined…

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The Bluest Eye: dense and difficult, ultimately rewarding

by John Olive • April 22, 2017

Are you a conservative theater-goer? Do you insist that your plays entertain, contain coherent plots and characters with whom you can readily identify? If this is you, then the beautifully substantive The Bluest Eye (at the Guthrie through May 21),…

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GIRL Shakes Loose: tight show, loose story

by Mari Wittenbreer • April 22, 2017

There are so many things right with the musical GIRL Shakes Loose at Penumbra Theatre. First off the show is nearly flawlessly performed. The depth of talent in our cities never ceases to amaze, as the cast of this show…

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Snapshot And Blank: Comic Book Theater. Kapow!

by Janet Preus • April 22, 2017

Maggie’s Farm Theater, a cozy little space tucked into the Lennox Community Center in St. Louis Park, was just about the perfect space for the action-packed “Snapshot & Blank” by Todd Richardson, an homage to the playwright’s love of –…

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A Year With Frog And Toad: delightful

by John Olive • April 22, 2017

Two words describe the A Year With Frog And Toad (at CTC, through June 18). First: sweet. Anyone who can watch this delightful show without a constant smile needs professional help. Toad (played by Reed Sigmund, the reincarnation of Fatty…

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The Testament Of Mary: a unique take on the Jesus story

by John Olive • April 20, 2017

Intense emotion recollected in the tranquility of old age. That’s the vibe of the affecting The Testament Of Mary, a solo piece adapted by the accomplished Irish writer Colm Tóibin from his novel of the same title (Loudmouth Collective). In…

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Battlefield: A Cycle Of War And Peace

by Mari Wittenbreer • April 16, 2017

Walk into the McGuire Theatre and all the way to the back wall the stage is nearly bare. There’s a drum, a chair, some bamboo and a few pieces of cloth. An apt introduction to a piece by Peter Brook,…

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