Two words describe the A Year With Frog And Toad (at CTC, through June 18). First: sweet. Anyone who can watch this delightful show without a constant smile needs professional help. Toad (played by Reed Sigmund, the reincarnation of Fatty…
The Testament Of Mary: a unique take on the Jesus story
Intense emotion recollected in the tranquility of old age. That’s the vibe of the affecting The Testament Of Mary, a solo piece adapted by the accomplished Irish writer Colm Tóibin from his novel of the same title (Loudmouth Collective). In…
Battlefield: A Cycle Of War And Peace
Walk into the McGuire Theatre and all the way to the back wall the stage is nearly bare. There’s a drum, a chair, some bamboo and a few pieces of cloth. An apt introduction to a piece by Peter Brook,…
Vietgone: a frantic clutch-popper
Mixed Blood Theatre, in its PR material, calls Qui Nguyen‘s breathless Vietgone (running at MB thru April 30) a “mash-up,” and that it most certainly is, a delirious (if mash-ups are your cup of tea) and graceless (if not) combo…
Lone Star Spirits: a heartfelt, hilarious ode to the everyman
In today’s fractured world, so much of what we experience, artistically and otherwise, carries political and emotional baggage. With Josh Tobiessen’s play Lone Star Spirits, a small, hysterical comedy with an earnest heart that explores what divides us and brings…
West Side Story: thrilling and inspiring
2007 was the fiftieth anniversary of West Side Story. The NPR report I listened to at the time indicated that there had been – ten years ago – 50,000 productions of the show. What this means is that, as you…
To Begin With: Full Throttle Bombast
Every ten years or so someone decides to put some part of the bible on stage. The latest attempt is To Begin With by local playwright Jeffrey Hatcher (Hennepin Theatre Trust, performing in the old Wesley Church). Hatcher has taken…
Macbeth is The Bard, efficiently abridged
In Shakespeare’s tragedies, politics and fealty are thread with dark warnings of power’s corruptive force and the destructiveness of human hubris. This is never more true than in Macbeth, a story of greed, secret plotting, and murder at the highest…
Six Degrees Of Separation: highly recommended
First things first: Six Degrees Of Separation (Theater Latté Da performing at the newly purchased Ritz, through April 9) looks terrific. Yeoperson work has been by the crackerjack design team – Kate Sutton-Johnson (sets); Alice Frederickson (costumes); Barry Browning (lights).…
Grease: slick and entertaining
The Chanhassen Dinner Theatre‘s production of Grease is a funny, tightly performed show. Set in 1959, (book, music and lyrics by Jim Jacobs and Warren Casey) Grease pairs a group of high school girls, more interested in boys and parties…
The Red Shoes mind-bends a classic
Open Eye Figure Theatre and Oddfellows Collective, a new theater entity formed of well-known local artists, most notably the play’s writer/director/designer Joel Sass and writer/performer Kimberly Richardson, have opened “The Red Shoes.†Although inspired by the Hans Christian Andersen…
King Lear: a grandly produced disappointment
Shakespeare’s King Lear is a dense tapestry of a play. Themes of loyalty, insanity, blindness, compassion and even base nature are all explored. Every director must choose what to emphasize and what to allow to pass without development. Guthrie artistic…