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Reviews, Theater

Peter and the Starcatcher is a silly, boisterous good time

by David and Chelsea Berglund • February 6, 2017

Theater Latte Da has now certainly solidified itself as one of the best companies in the Twin Cities, especially for the production of musicals. It should come as no surprise then that their latest offering, Peter and the Starcatcher, is…

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Reviews, Theater

The Royal Family: fizzy, frothy — and long

by John Olive • February 5, 2017

When it was first produced, 90 long years ago, George S. Kaufman and Edna Ferber‘s The Royal Family had a different sort of meaning than now. Audiences back then were knowledgeable about, and were devotees of, theatrical dynasties – the…

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Reviews, Theater

Black Light: Be A Witness. Shine A Light.

by Mari Wittenbreer • February 3, 2017

You could go to Jomama Jones‘s BLACK LIGHT, and just enjoy Jomama’s considerable talent as she presents herself in sparkling evening gowns, a foot long afro and four-inch spiked heels. You could listen to the songs, bask in the talent of…

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Reviews, Theater

Flower Drum Song is a timely, flawed immigrant tale

by David and Chelsea Berglund • January 29, 2017

David Henry Hwang‘s rewrite of Rodgers and Hammerstein’s now thoroughly antiquated Flower Drum Song, being staged as a co-production of Park Square Theatre and Mu Performing Arts through February 19, explores the tension for immigrants to assimilate and simultaneously respect their…

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Reviews, Theater, Uncategorized

Promise Land: a universal story of the search for home

by Mari Wittenbreer • January 28, 2017

Human migration is a timeless effort. People shift, sometimes in great numbers, sometimes as singles or pairs. Transatlantic Love Affair‘s Diogo Lopes decided to tell this story of geographic relocation beginning with the old fairy tale of the Hansel and…

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Reviews, Theater

Miranda: a portrait of a Middle Eastern hell-on-earth

by John Olive • January 28, 2017

Yemen. Good Lord, what a hornet’s nest. The Saudis vs the Iranians. The Houthi rebels vs the Yemeni government. The Americans (and their Saudi clients) vs the Iranians and Al Qaeda. The Sunnis vs the Shiites. Al Qaeda and ISIS…

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Reviews, Theater

Little Shop Of Horrors: Twisted Fun

by Mari Wittenbreer • January 21, 2017

Americans have an affinity for ghoulish comedies. Arsenic and Old Lace, recently revived by the Guthrie, has kept audiences laughing at two murderous old ladies for generations. Rocky Horror Picture Show is another more recent example of this peculiarly American…

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News

Gremlin’s New Performing Space: Finally, Some Good Theater News

by John Olive • January 20, 2017

Been wondering about the Gremlin Theatre? Wonder no more. They’ve been busy, creating a much-needed new twin cities performance venue, in St. Paul’s Vandalia Tower. This spunky purveyor of edgy contemporary theater finally has a home of its own, after some years…

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Reviews, Theater

Liberty Falls 54321: a camp classic

by John Olive • January 7, 2017

What is theatrical camp? I pondered thith pithy question as I made my way down frozen Portland Avenue after the opening of The Moving Company‘s goofily effective Liberty Falls 54321 (a remount of a play originally done in 2015). I concluded:…

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Theater

HWTS’s Top Shows Of 2016

by How Was The Show? • December 16, 2016

With four theater reviewers, HowWasTheShow.com is covering more theater than ever. We herewith wrap up an excellent year with How Was the Show’s first ever annual favorites list. Some of the plays weren’t even reviewed! But when they were, helpful links…

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Reviews, Theater

FUN HOME is fun, tragic, intelligent, witty

by Mari Wittenbreer • December 14, 2016

A few years ago Lisa Kron wrote the book and lyrics for a musical based on Alison Bechdel’s graphic memoir, Fun Home: A Family Tragicomic. With the aid of composer Jeanine Tesori the result was the 2015 Tony Award winning,…

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Reviews, Theater

The Curious Incident Of The Dog In The Night-Time, at the Orpheum

by David and Chelsea Berglund • November 29, 2016

One of the great strengths of Mark Haddon’s novel The Curious Incident of the Dog in the Night-Time is that is does not compromise its perspective, detailing the world through the eyes of a young autistic boy and demanding that…

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