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Reviews, Theater

Why We Can’t Have Nice Things presented by The Recovery Party at the Bryant-Lake Bowl

by Janet Preus • October 15, 2016

The Recovery Party’s latest original show is about options, from having too many to not having enough, but that doesn’t begin to describe the absurd lengths, heights and depths to which writer/director Joshua Will takes the simplest interactions. Such as…

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Reviews, Theater

Jitney at Penumbra Theatre

by Mari Wittenbreer • October 13, 2016

August Wilson’s plays are not slice of life dramas with straight-as-a-knife plotlines. They embody broad swaths of Black history played out decade by decade. Jitney, now at Penumbra Theatre, is no exception. Set in the 1970’s, Wilson employs gossip, personal…

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Reviews, Theater

The Parchman Hour at the Guthrie Theatre

by John Olive • October 8, 2016

It’s no accident that the program for Mike Wiley‘s Civil Rights drama The Parchman Hour (at the Guthrie, through November 6) references books for elementary and middle school students. These are the folks who most need to see The Parchman…

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Camelot at Chanhassen Dinner Theatre

by Mari Wittenbreer • October 7, 2016

  The best thing about the new production of Lerner and Loewe’s Camelot (Chanhassen Dinner Theatre, through February 25, 2017) is King Arthur. Keith Rice has everything the role requires and is a delight to watch. He’s developed a complex character…

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Comedy of Errors produced by Maggie’s Farm Theater at the Lennox Center Little Theater

by Janet Preus • October 7, 2016

This is not a proper review, because I went to this play with no intention to review it. But when I found out when this company is up to, I decided I needed to pass the word along, so let’s…

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The Realistic Joneses at Park Square Theatre

by John Olive • October 2, 2016

Jane Froiland is in The Realistic Joneses (Park Square Theatre, through October 16). As always, she delights. She projects catchy breeziness, with a goofy smile and an energetic friendliness. All underlaid with real pain, loneliness and a shaky bitterness which…

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Barbecue at Mixed Blood Theatre

by John Olive • September 30, 2016

Robert O’Hara‘s clutch-popping Barbecue (Mixed Blood Theater, through October 16) is gimmicky. Nothing in the play is what it seems to be, character motivations change with breathtaking quickness, abrupt discoveries are made about characters really are and it would be…

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The Last Firefly at the Children’s Theatre Co.

by Mari Wittenbreer • September 30, 2016

To be present at the opening night performance of a play’s world premiere on a major Twin Cities stage is like experiencing the world through the eyes of a child, everything is new. So it was for a nearly sold…

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Ragtime by Theater Latté Da

by David and Chelsea Berglund • September 26, 2016

David: It is easy to see why Theater Latté Da chose this moment to mount their own production of Ragtime (running through October 23rd at their newly acquired Ritz Theater home). In times of civil unrest and political uncertainty, its themes…

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Reviews, Theater

The 2016 Ivey Awards

by Janet Preus • September 20, 2016

This year, I told my significant other and regular theater companion (Tim) to write up what he wanted to say about the Iveys. He loves going to the Twin Cities theater community’s big event, and as a performer, has a…

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Sense And Sensibility at the Guthrie Theater

by David and Chelsea Berglund • September 19, 2016

Jane Austen’s first novel Sense and Sensibility is, by any standard, a literary triumph. It launched her career and established her as a strong storyteller and social satirist in a male-dominated sphere. To this day, this work resonates with widespread…

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Home Sweet Home at the Guthrie Theater

by Mari Wittenbreer • September 17, 2016

Why do some plays falter by being too preachy and earnest while others with similar loads of heartfelt information and a clear agenda take flight? Home Street Home, currently in a short run at in the Guthrie Theatre complex, is…

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