To his credit, in End Of The Rainbow (at the Guthrie, through March 11) playwright Peter Quilter refuses to give us the “pretty” Judy Garland, the achingly luminous singer who wowed us in The Wizard Of Oz (age 17), A…
Photo Set: The Current’s 7th Birthday Party, Saturday 1/28
Ragtime, The Musical at Park Square Theatre
E. L. Doctorow was the author of two respected but not widely read novels when in 1975 he thundered onto the literary scene with Ragtime. Set 1902-17, the novel blends history and fantasy, private characters with oversized historical figures (J.P.…
Photo Set: The Current’s 7th Birthday Party at First Avenue, Friday 1/27
Harold And The Purple Crayon at the Children’s Theatre Company
In Harold And The Purple Crayon (at Children’s Theatre Co, through Feb 26) a company of first rate artists and performers collaborate on a deceptively simple, sweetly accessible and yet highly sophisticated… Well, what would you call Harold? A play? …
Cat on a Hot Tin Roof at the Guthrie Theater
Tennessee Williams play, Cat on a Hot Tin Roof, may be finally showing its age, but it is still timeless enough to pack a wallop. The Guthrie’s production, directed by Lisa Peterson, has placed this piece among tall, peacock blue…
1968 by the History Theatre at the History Center of Minnesota
Produced by the History Theatre at the Minnesota History Center, in tandem with the exhibit that opened last fall, 1968 is also a collaborative project with the Playwrights Center. Seven scenes written by PWC members tell personal stories that are…
Flesh And The Desert by Workhaus Collective
In Flesh And The Desert (Workhaus Collective performing at the Playwrights Center, through Jan 28), playwright Carson Kreitzer doesn’t concern herself with the air-conditioned glitter of contemporary Las Vegas – the Bellagio, the Venetian, pot-bellied cowboys meandering through the neo-fascist…
Julius Caesar, a co-production between the Guthrie and the Acting Company
Julius Caesar, asserts the officious and buttoned down Brutus in his oration at Caesar’s funeral, “was ambitious, [and so] I slew him.” But isn’t ambition the assassins’ over-riding motivation? They pay poor lip service to serving “great Rome,” but “lean…
Photo Set: Howler CD-Release at Triple Rock Social Club with Prissy Clerks and Radiator Girls 1/14/12
The Lion King at the Orpheum Theatre
“I don’t do children’s theater,” director Julie Taymor informed the powers-that-be at the vaunted Disney Corporation “and I don’t do cute.” To their immense credit, they hired her anyway. The inventive Ms. Taymor then proceeded to transform the animated Disney…
