
Share on Facebook
Mixed Blood has opened their season with an outrageous play and an equally outrageous concept, and I am equally impressed with both. The play is Neighbors by Branden Jacobs-Jenkins, a biting satire of every Black stereotype you’ve ever heard of;…
“Cat’s Paw†by William Mastrosimone, Theatre Pro Rata’s new offering showing at the Gremlin Theater, paints a “what if†world ignited by pressing ecological issues and fueled by the media’s obsession with ratings. Eco-terrorists—or “eco-warriors,†as the leader (Victor) of…
Steph is angry. Angry is to put it mildly. Steph is furious, screaming, in a state of howling rage, throwing pillows, stomping around the bedroom, spewing the fuck word and various other obscenities with machine-gun-like abandon. Her boyfriend Greg, the…
The Guthrie Theater opened its 2011-2012 season last night with a new Joe Dowling production of Much Ado about Nothing. One of Shakespeare’s more serious comedies, it is rich in life lessons as the work of a seasoned playwright. The…
Ooh, a good one. Alexi Kaye Campbell‘s taut The Pride (Pillsbury House Theatre, through Oct 16) is a modestly scaled play on a huge subject: the nature of sexuality. Campbell creates three main characters, Oliver, Phillip and Sylvia and then…
Nine-eleven. It’s no longer just a date, it’s code, for an impossible-to-describe national catastrophe. Even at this remove nine-eleven remains a series of jangled images: a jet plane slamming into a tall building. Conservatively dressed businessmen hurtling to their deaths…
Mercy Watson gets where she’s going in Act 1, Scene 1, page 1: “Toast!” she cries. “Toast and butter!” Mercy, a pig, says this, oh, seven or eight hundred times during CTC’s charming Mercy Watson To The Rescue (at the…