Category: Reviews

Minnesota Theater Awards launches

The Twin Cities theater community gathered last night to celebrate the year’s accomplishments and recognize its finest work. The Minnesota Theater Awards has sprung up in the vacuum left when the Ivey Awards folded earlier this year. According to Brant…

Is God Is: gorgeously nasty

“The fire keeps tryna come out.” Mixed Blood‘s wonderfully repellent and highly original Is God Is, written by Aleshea Harris, is a clutch-popper. Credit – definitely the right word, because this play zips along like a house afire and is…

Awake And Sing!: a 1930s era gem

“She’s so beautiful. She’s like French words.” “Life shouldn’t be printed on one dollar bills.” “I got a yen for her, and that ain’t Chinese coins.” Can a play containing gems like this ever really be bad? Not really, and…

Once: heartfelt and streetwise

You know what busking is, don’t you? When a talented (one hopes) musician plays for free on the street, opening his guitar case (or fiddle case, or mandolin case, as the case may be) in hopes of catching a few…

West Of Central: extraordi-noir

Austene Van makes one heck of a good private dick and Christina Ham’s new play at the Pillsbury House Theatre makes the most of it. Ham’s noir-ish West of Central has a complex plot that involves Van and real estate…

Review | Dial M For Murder: Dial M For Misogyny, Masculinity and Morals (or lack thereof)

You probably know Dial M for Murder better as a film by Alfred Hitchcock. Gremlin Theatre’s season opener reminds us it came first as a stage play (of the same title). And on Gremlin’s new thrust stage in the buzzing…